The road is now a paved two-lane with very little room to pull over.ĭespite the small dangers, I've pulled over a few times to get this shot - usually shooting it handheld with something like the Mamiya RB67. I first came across this house in May of 2019 while exploring Douglas County. They lived together until she died in November of 1949, at the age of 59. Shortly after, Hattie married Lawrence Bumgarner, who adopted Dwight as his own. They were divorced in or around 1911, with Dwight marrying Nella and the six year old Bernard remaining with Hattie. Their child, Bernard, was born on Christmas Day, 1909. Two years later, Hattie married Dwight Pershall. A daughter came less than a year later (which probably explains the young marriage). In 1906, at the age of 17, she married Thomas Repass, then 21 years old. Bumgarner was born in the small town of Barry, Washington in 1889. (link in 'about') This is one of the photos. I recently released a book of photos taken on Ansco film that expired in 1953. And that's the same no matter what temp you're using. But I probably won't.įor me, the pain in the pass part isn't the temps, it's the washing. I'd like to figure out a happy medium, where everything would be 80F-ish. But for this, Fuji NPL 160, it was (or at least warmer than room temp/longer time was necessary).įixing was the same - room temp for six minutes-ish. The bleach was supposed to be for the same amount of time as the dev (45min - according to the person who had done it before - on IG), but I didn't see why that was necessary. The dev was for 45 mins with agitation at the start and middle. This one was clearly not bleached long enough.

I devved this photo ,along with the three most-recent color photos, together. And when I left he said he was excited to see what I bring in next.I recently tried stand developing with my ECN-2 kits (obviously link in bio).

When I walked up to the counter at the camera shop the tech said 'Working on another project?' because apparently I'm there so much they're remembering me. I know I'll lose the nice embossing, but it's just going to keep peeling off. I'm going to contact him and see if he can help me with the damage on the back. There's also a local guy who does custom leather restoration work on vintage cameras. It is currently at the shop to have the plate glued back down.īut the inside looks good, and the shutter speeds are only a little bit slow. Guy I bought it from had the metal plate taped on backward (it opens to see the frame count on the paper backing, and there's only 1 hole in the camera body). It does have some cosmetic damage on the back. And see that impossibly small round thing just to the left of the frame counter and on the back? That's the viewfinder. On the top left are the film advance and frame counter. The focusing dial is on the right, easily accessible by thumb when holding the camera. It focuses by moving the back plate and film (medium format).

Mamiya 6 flickr